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Screen/Stage
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The West Wing's Emmy-winning writer explains the "barometer of artistic integrity."
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Even after suceeding with old favorites such as Magnum P.I.
and Quantum Leap, this writer and producer is flying to new heights with JAG.
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The words "writer in Hollywood" conjure images of screenwriters accepting Academy Awards and hobnobbing with movie stars. But to Anita M. Busch, editor of The Hollywood Reporter, writing is as much about power plays as it is about screenplays.
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Have you dreamed of writing movie scripts? Listen to award-winning author and Tinseltown insider John Morgan Wilson
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Scripts columnist Cynthia Whitcomb explains the "dirty dozen" of producer/director Tony Bill. These 12 easy-to-follow rules could make the difference between a script sold or scrapped.
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Prolific, yet humble, Leslie Dixon continues to make her mark.
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Get the most out of the best-selling software for screenwriters with these tips and tricks for unlocking the power of Final Draft
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While reality TV shows don't require scripts, it doesn't mean they don't have storytelling. Here's how writers function in a reality genre that, in theory, doesn't need writers.
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Al Gough and Miles Miller have written some super shows and movies.
Now they expand their talents to their own TV series, Smallville.
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Gigi Levangie Grazer, a screenwriter whose original screenplay Stepmom became a movie starring Julia Roberts and Susan Sarandon, is celebrating the release of her first novel Rescue Me (Simon & Schuster). Grazer talks to Writer's Digest about her inspiration, plans for her next project and her various writing habits and rituals.
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