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Here in our annual software round-up, we've tested most writing software programs to help you find the best choice for your writing needs.
by Jenna Glatzer
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How many times have you heard this around the workshop table: “Why don’t you consider a new point of view?” (Actually, the term used more often is “POV” because it sounds a lot cooler, I suspect.) Everyone then agrees that a new POV might help matters, including the writer, who knew something was wrong and is now relieved to have a likely suspect.
by Steve Almond
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“What if I don’t want to offend anybody?" As a teacher of first-person writing who has published three provocative memoirs that my family hates, I’m often asked this question. It’s a conundrum for all authors. The great novelist E.L. Doctorow once told me there were stories he wouldn’t publish until certain relatives died—and he writes fiction!
by Susan Shapiro
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When it comes to writing nonfiction, there are several rules you must follow. This "Don't List"covers the basics.
by Susan Shapiro
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One of the earmarks of Spanish poetry is the use of a leap into seemingly unrelated imaginary material. Poets such as Federico García Lorca, Pablo Neruda, César Vallejo and Antonio Machado all use this technique to great effect.
by Dorianne Laux
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James Rollins publishes two books per year—one fantasy, one thriller—and finds his latest book garnering comparisons to The Da Vinci Code.
by Maria Schneider
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A veteran suspense-fiction author shares nine killer tricks to help you improve a genre that can be difficult to master.
by Simon Wood
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 Check out an excerpt from Chapter 1 of You Don't Have to Be Famous.
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 Begin studying the Romance Novel in with this excerpt from On Writing Romance.
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The chair of the Vermont MFA program talks about the craft of fiction, plus listen to several passages from his writing instruction book, Alone With All That Could Happen. 