Why “Start Your Novel Is With Action” is Bad Advice

The cliché “start your novel with action” has a flaw—and it’s a major one: What good is the action if it isn’t grounded in context that’s important to the story or draws you to the main character? It’s much, much better to start your story with tension, like a character conflict or a character who’s not getting what he wants. This gives the reader a reason to feel connected.

The cliché "start your novel with action" has a flaw—and it's a major one: What good is the action if it isn't grounded in context that’s important to the story or draws you to the main character? It's much, much better to start your story with tension, like a character conflict or a character who's not getting what he wants. This gives the reader a reason to feel connected.

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Brian A. KlemsAuthor

Brian A. Klems is the former Senior Online Editor of Writer’s Digest, and author of Oh Boy, You’re Having a Girl (Adams Media/Simon & Schuster). Follow him on Twitter @BrianKlems.