How To Leverage the Power of a Strong Title in Your Writing

Finding the right title for your story is more of a process than you might think. Here, Audrey Wick shares how to leverage the power of a strong title in your writing.

Writers rely on their style, and no two writers will have identical style. Style is what makes each piece of writing unique, and it also attracts readers.

So do titles.

Titles vary as much as the styles of writers. Some titles are short, especially in certain genres. Consider the concise, punchy headlines of journalism. Other titles are longer; consider explanatory titles found in many academic journals. Whatever a writer’s genre and audience, a title should never be wasted. Instead, it should be used as leverage for inviting a reader into the work.

But in order to title effectively, writers will want to consider these questions.

Does my title need to meet certain parameters?

If a writer is targeting a particular publishing outlet, follow the expected length, style, and word choice in the titles used. Model a title from what that publication favors. For longer projects like books, titles may also need to evoke a certain mood or include hooks, like those that target readers of genre fiction.

A title may need to fit a certain number of allotted characters in an entry blank for a contest submission or may simply need to be attractive on a book cover or fit on a spine. Whatever the case, writers will want to consider general parameters that might exist for their project.

Does my title need to include articles and prepositions?

Small words may or may not be necessary for a title. “A,” “an,” and “the” are articles, and directional words like “in,” “of,” and “on” are prepositions. These words can add clarity to titles, but consider the stylistic differences of eliminating them:

  • The Quick and the Dead vs. Quick and Dead
  • Into Thin Air vs. Thin Air
  • In Cold Blood vs. Cold Blood

Considering slight changes like this can help a writer choose the title that ultimately achieves the desired impact.

Does my title need any punctuation?

Since punctuation carries meaning, different marks can create different effects next to words. Consider these titles with punctuation:

  • Play it Again, Sam
  • Are You There God? It’s Me, Margaret
  • The Lion, the Witch and the Wardrobe

Comma usage (or eliminating it, like with the Oxford comma) can create a bold statement, as can other marks of punctuation.

Does my title need a subtitle?

Subtitles offer a greater explanation to readers. In prose, a subtitle is separated from the title with a colon. On a book cover, a subtitle may simply be in a smaller font. Nonfiction favors subtitles, but they can be found in fiction writing and other genres as well.

  • You Just Don’t Understand: Men and Women in Conversation
  • Loose Woman: Poems
  • Tess of the d’Urbervilles: A Pure Woman Faithfully Presented

Even shorter projects like single poems and essays can have subtitles.

Do I need a double title?

This may be a bit old-fashioned for the world of publishing today, but some works have had success with double titles. Typically, these are used for longer works (like novels) and can be connected by “or.”

  • Moby Dick; or, The Whale
  • The Tempest; or, The Enchanted Island
  • Blood Meridian; or, The Evening Redness in the West

Double titles are memorable, and they are certainly stylistic.

Do I need any numbers, foreign words, or unique characters?

Titles can include more than words.

  • 20,000 Leagues Under the Sea
  • Miracle on 34th Street
  • #Girlboss

The use of numbers, foreign words, or unique characters may affect alphabetizing or indexing, so keep those considerations in mind.

Finally, bear in mind that standards for punctuating titles will differ based on style guides. For instance, the Chicago Manual of Style, APA, and MLA favor italicizing titles of stand-alone works (such as books, periodicals, and films) but only the Chicago Manual of Style and MLA uses quotation marks around article titles (APA does not). If including a title inside of a story or if writing it in other forms of correspondence, default to the preferred style guide for the situation.

Titles are subjective, and writers may want to weigh other possibilities when choosing a title such as dialect uses (You or Y’all), word varieties (Amid or Amidst?), and alternative spellings (Judgement or Judgment?). Ultimately, writers need to be comfortable with their titles. By trying different combinations and considering the questions above, they can help ensure they leverage titles to their fullest potential.

If you want to learn how to write a story, but aren’t quite ready yet to hunker down and write 10,000 words or so a week, this is the course for you. Build Your Novel Scene by Scene will offer you the impetus, the guidance, the support, and the deadline you need to finally stop talking, start writing, and, ultimately, complete that novel you always said you wanted to write.

Audrey Wick is an author with Harlequin (Harper Collins) and full-time professor of English at Blinn College (Texas). She has authored educational content in college textbooks for Cengage and been a repeat contributor to Writer's Digest, Woman's World, and Chicken Soup for the Soul, with stories also appearing in various literary journals. Audrey believes the secret to happiness includes lifelong learning and good stories. But travel and coffee help. She has journeyed to over twenty countries—and sipped coffee in every one. See photos on her website audreywick.com and follow her on X and Instagram @WickWrites.