On (Literary) Snobbery, T-Giving, and Amy Grant
Hello, friends. I hope your Thanksgiving was a generously portioned and lacked any sort of drama involving your sister, her frequent Facebook status updates, and the phrase, “too-cool-for-school loser.” I…
Hello, friends. I hope your Thanksgiving was a generously portioned and lacked any sort of drama involving your sister, her frequent Facebook status updates, and the phrase, "too-cool-for-school loser." I ate enough stuffing for three averaged size adult women and watched fifteen minutes of a movie so inordinately unwatchable, I can't even recall it's name, or the fact that John Cusak and the girl from My Cousin Vinny were in it.
But the nice part of my fallcation was that I got to read. And read I did, to the tune of one and a half books. I read all of Malcolm Gladwell's new book Outliers, and part of Chuck Klosterman's new novel, Downtown Owl. Take that GRE Verbal!
This is the point where I reveal something about myself. I have a very hard time admitting that I really enjoy Malcolm Gladwell's books. And it is all because they are wildly popular. It is an insecurity of mine that stems from the fact that I think of myself as cooler, better read, and intuitively drawn to obscure books, or at the very least, books that can't be purchased in the airport. Examples will be provided--
1. I refused to read the Da Vinci Code, until five years after the fact, when I stole it and read it in one night before I went to see (and fall asleep in) the movie.
2. I wouldn't read Harry Potter, on the grounds that I was maybe the only person on the planet who didn't know what Quidditch is, and that somehow made me sweet, or at least incredibly uninformed.
3. I make a good amount of Nicholas Sparks jokes, even though his website has a potentially useful FAQ and a Writer's Corner.
But this is stupid, egomaniacal, and unproductive snobbery. A good book is a good book is a good book, no matter how many people have or haven't read it in a junior high school bathroom. It's the same sort of thing with music--I mean, there was a reason why "Baby, Baby" by Amy Grant climbed to #1 in the US and #11 on Switzerland's Billboard charts in 1991: it was a damn good song! Right? It had nothing to do with me being ten and being visually pleased with her aesthetics!
The problem or the issue or just the incredibly astute observation is that it's almost impossible to not do this in some aspect of your life. If you're a Chowhound foodie, you scoff at the idea of lowering yourself to go to Applebees (especially with that new bleach blond "hep" food guy advising you to pick up chicks on the commercial), or if you're a film student, you laugh at the idea of seeing Fred Claus (unless its ironically), even though you like Vince Vaughn in that movie where he gets arrested in Malaysia. But what if you do go and (gasp!) you discover that you actually enjoy the Mini Bacon Cheeseburgers? Or that you think Fred Claus has several moments of unmitigated gloriousness? What then?
I am not a snob, friends. I wear fleece pants 70% of the time. But I still get that incredibly annoying urge to feel superior just because I hear someone talking up Nora Roberts. And I've never even read Nora Roberts! I'm not even 100% sure that is her name! So I've got a new semi-new year resolution: I'm still going to judge, but I'm just going to try and withhold said judgement until I've tried whatever it is I'm judging.
So watch out, Red Lobster! And sharpen your literary knives, James Patterson! I'm coming for you.
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Jane Friedman is a full-time entrepreneur (since 2014) and has 20 years of experience in the publishing industry. She is the co-founder of The Hot Sheet, the essential publishing industry newsletter for authors, and is the former publisher of Writer’s Digest. In addition to being a columnist with Publishers Weekly and a professor with The Great Courses, Jane maintains an award-winning blog for writers at JaneFriedman.com. Jane’s newest book is The Business of Being a Writer (University of Chicago Press, 2018).